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March - 2010
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Beer Photography: Interview with Jesse Friedman

Posted by Rick Sellers On May - 4 - 200910 COMMENTS

The art of food photography is mysterious: making dishes look mouth-watering doesn’t just happen. Lately we’ve seen an increasing number of beer pictures that are just as enticing and wonderful. Anyone who has played with a camera in a dimly lit pub knows that it’s no easy chore to take a fabulous sudsy shot whilst sidled up to the bar. Why is it so hard, and are there quick tips we can learn from to help all of us in our hobby bar-shots? To find out, I called one of the experts, Jesse Friedman, of Beer and Nosh to learn more.


taken by Jesse balancing camera on a glass using a point-and-shoot camera

Do you need a thousand-dollar camera to take sexy beer pictures in bars and breweries?

No, but it can certainly help, especially in low light situations. Small point and shoot digital cameras are best suited for outdoor photography — once you bring them inside to a darkened bar, it can be very challenging to get enough light into their small sensors. There are a few tricks you can use to try to overcome these limitations (see below).

I’m on a limited budget, but am interested in upgrading my point and shoot. Is there a used camera that you’d suggest I try out?

Depending on your budget, both Canon & Nikon offer great entry-level single-lens reflex (SLR) cameras for under a thousand dollars. They are aggressively fighting for the market of a mid-level consumer SLR, which means great deals and feature sets for new SLR users. I’d recommend looking at both the new Canon T1i and the Nikon D5000, both of which start at around $900 with the stock lens.

How can I take a picture in a dark bar without using a flash?

Getting a good picture in a dark bar is a function of getting enough light. There are three basic ways to control this: speed (how long the shutter is open), aperture (how big the hole allowing light is), and adding additional light (a flash). A good picture is a combination of these three elements. Since no one likes the jerk taking flash pictures in bar, we don’t want to adjust that.

If you want to increase the time your picture takes, try resting you camera on a pint glass, and telling it to take a long exposure. If it’s a still of a beer, the background will be blurry with action, but the beer will be in sharp [focus]. Try using the timer feature to take the picture, so you don’t have to be touching the camera when you take the picture. (This technique can work with a simple point and shoot camera too!)

If you want to adjust the aperture, that’s a function of the lens attached to the camera. As the aperture gets wider, the depth of field gets shorter. This means that part of the image will be in focus, while other parts will be blurry.

Fun Fact: You already know how to do this with you own eyes. When you squint, you’re making your depth of field bigger by “shrinking the aperture of your eyes” causing them to refocus, and see blurry objects more clearly.

Lastly, you can adjust the ISO, which is the sensitivity of the sensor. But beware — as you turn the sensitivity up, you’ll get more and more of a grainy image. Try playing with it on your camera, since different sensors have different sensitivity levels.

Do you have setting tips for novice beer geeks to get the best pictures from a common camera?

Learn to use the white balance features of your camera, which can easily adjust the overall color tone of your pictures. Since digital film is free, try taking the same picture with each of the settings, then look at them on a computer to see how they affect the final image. Having this set right can save a lot of time and color correcting later. Even the cheapest point and shoot digitals will let you adjust this setting.

For those who have a digital SLR, is there a lens that you consider a “must have,” a lens that will instantly make pictures better?

YES! I highly recommend a portrait prime lens, which is a lens that does not have a zoom. For digital SLRs, this means about a 35mm lens — the equivalent of a 50mm film lens. You’ll end up moving your body to compose the picture instead of zooming in and out, but it’ll allow you to adjust the aperture for shooting in much darker places, and getting higher quality pictures.

Is there an online resource you suggest for learning more about taking great low light pictures?

A: While digital cameras have made photography more and more accessible, there is no substitute for a solid understanding of the basics of a camera. Learning how the interaction of aperture and shutter speed affects your pictures is key for taking your photography “to the next level.”

Lately, I’ve been using Ken Rockwell’s site to help me learn how to use my new camera.

Another great resources is the EXIF data that most digital pictures have. This data records all of the camera’s settings into the picture for recording keeping. When browsing photo-sharing sites like Flickr, you can click the “more properties” link to see just how a photograph was shot, and then try to replicate those settings. Better yet, post a comment and ask the photographer how they got the effect you desire and want to replicate. With digital film’s cost being free, there is no reason not to experiment and learn new techniques wherever you can.

What camera do you use to take the pictures shown on your Web site?

Until a few weeks ago, I was using a first generation Canon Digital Rebel with a 50mm lens, but recently upgraded to a Nikon D90, with a 35mm Nikkor lens. I’m loving my new camera. It has a big screen, making it much easier to evaluate my picture as I shoot, and with its dynamic ISO features and a fixed lens, I’m able to shoot in surprisingly dark places. I’m still learning how to use it, but so far my favorite feature has to be the on-the-fly White Balance settings. I haven’t yet taken it into the San Francisco Toronado to see how it does — they’re my Moby Dick of dark bar photography.

Good Beer

Posted by Rick Sellers On April - 22 - 20097 COMMENTS

I taste a lot of beer. Much of it is world-class, hard to find, and cherished at the highest levels of beer geekdom. I admit: it doesn’t suck. I also get a lot of beers that are less than memorable. I don’t get a lot of “bad” beers, luckily. Still, with all this in mind, there’s nothing that makes me happier than sampling a hand-delivered homebrew, especially one from a new homebrewer. Take, for instance, this scenario.

I was recently asked by a friend of my wife’s to help him set up his son with all the needed equipment to make beer at home. I was happy to help, working with local homebrew shops to piece together a simple — very simple — system to make extract beer. It didn’t take long for the son (who I have never met) to break in his new equipment and make his first-ever homebrew, an amber ale. I was sent an email shortly after the first brew day and it seemed as though father and son had a great time. Weeks later, the beer was bottled and shortly thereafter a couple of bottles were passed from the father to my wife for us to sample.

I finally got to this beer over the weekend and while preparing for the tasting I realized, remembered really, what it was like for new homebrewers to give their handmade beer away. My first homebrew was given only to my closest friends, the people who taught me to brew, and some local pro brewers that I respected. I was antsy to hear what they thought, and I knew the beer wasn’t great. I didn’t need the beer to be great, and didn’t dream it would be. I just wanted it to be good. Much was the same for the maker of the homebrew in front of me. I didn’t expect the beer would blow me away, but I was excited about the possibility that this beer could be good — a beer I would drink on a daily basis.

Without going into detail, let me just say this beer was good. It wasn’t great and there were some small flaws that will be fixed with experience. Still, this beer was good. I told this to the brewer, by email, along with some tasting notes. He read it as though I’d just scored the beer a 95 in DRAFT. He was elated. He wasn’t saddened that I didn’t say it was the best out there — he knew it wasn’t — but he was sure he had a good beer at home and just wanted to know that someone else agreed.

The whole experience caused pause for me. It reminded me that the love of beer isn’t about the love of the best beer. It told me that there can be as much joy in a simple, homemade batch of amber ale as there is in the next fashionable extreme beer. It also encouraged me to go back to some of the beers I loved when I first came to craft beer, beers like Anchor Steam and Sierra Nevada Pale Ale, Boston Lager and Red Tail Ale by Mendocino. Returning to these has the nostalgia of going back home. These beers are comforting. They’re full of flavor. They’re what beer is supposed to be. None of them knocked my palate for a loop, but all of them were surprisingly thirst quenching.

Sometimes it’s good for us beer geeks to remember where we came from. To return home to the beers that we first loved when we were teething on craft beer. Go back and see if there’s any joy left in the simple pleasure of a cold, well-made craft beer that doesn’t carry 100 IBUs or 10% ABV. If you ever brewed a batch of beer, go back to the first extract recipe you made and try it again (I have half a mind to bring out my old pot and make a batch on my stove top, just for FUN). When you go back, when you retry the beers you once longed for, come back here and let us know what you thought. Was it easy or hard to appreciate a simpler brew? Could you be happy with another, or did you immediately long for something with a bit more flare? Let us know. It’d be fun to compare notes.

2009 Toronado Belgian Beer Dinner

Posted by Rick Sellers On April - 6 - 20098 COMMENTS

This weekend I was able to attend another Sean Paxton meal, this time for Toronado’s annual Belgian Beer Dinner. I won’t be able to go on and on about the event, but know that this was a dinner that pushed every boundary possible for what you can rightfully expect in a beer dinner. Twelve courses, 20 beers (one of which I can’t tell you about yet) — it was unreal.

Below are the menu items by course, along with a picture of each dish. Enjoy!

First Course

Charcuturie Platter
homemade pork pate infused with Rochefort 8 soaked figs and pistachios, Chimay Red duck rillettes, easter egg radishes,De Ranke Père Noël poached bosc pears, dried apricot and Hanssens Oude Gueuze mustard and with local breads
Course One
Petrus Oude Bruin
Affligem Noel

Second Course

From the Earth
poached white asparagus, black truffles, watercress, black trumpet mushrooms, fennel pollen with a Orval emulsion
Course Two
Orval

Third Course

Kriek Marbled Foie Gras
Drie Fonteinen Schaerbeekse Kriek marinated foie gras tourchon, mache leaf, De Struise Pannepot ‘caviar’, black flaked sea salt, hibiscus Drie Fonteine Oude Geuze Syrup
Course Three
Chimay Grand Reserve 3L 2001
Drie Fonteinen Schaerbeekse 2005

Fourth Course

Potato and Leek Soup
purple potatoes pureed with local leeks, Fantôme La Dalmatienne and organic cream
Course Four
De Ranke XX Bitter

Fifth Course

Duck Braised in Consecration
duck legs infused with Russian River Consecration cooked sous vide with leeks. shallots, thyme, currants, dried sour cherries topped with a duck Consecration demi-glace and almond oil powder
Course Five
De Dolle Oerbier 2002
Rodenbach Grand Cru

Sixth Course

Pork Belly
Serafin Grand Cru cured Sonoma pork belly with Temptation-pickled brussels sprouts slaw topped with a date, prune & fig Scaldis Noel bbq sauce
Course Six
Du Pont Avec Les Bons Voeux
De Blaugies Darbyste

Seventh Course

Assorted Belgian Cheeses

Affligem Trappist style, made with beer, cow’s milk
Chimay rind washed with Chimay, cow’s milk
Orval med. soft, Trappist style, cow’s milk
Pate à Chouffe soft rounds, made with a Chouffe, cow’s milk
Petrus med. firm, made with Petrus, cow’s milk
St Bernardus med. hard, made with Watou beer, cow’s milk
Val Dieu Trappist stype, med. hard, made with Val Dieu, cow’s milk
Westvleteren small rounds, made with Westvleteren beer, cow’s milk
Westvleteren softer cheese, not made with beer, cow’s milk
rhubarb and Rodenbach Grand Cru jam, Saucerful of Secrets wort honey, marinated pearl onions, cinnamon & clove smoked almonds, grapefruit zest celery salt and bruges biscuits
Course Seven
Cantillon Iris
Achel Trappist Extra Bruin

Eighth Course

Hop Shoots
lightly blanched tender hop shoots from Moonlight Farms with a bone marrow & Cantillon Iris gastrique
Course Eight
Poperings Hommel Bier

Ninth Course

Moinette & Marin Butter Poached Lobster
sliced on a disc of quail egg pain perdu with Tripel Karmeliet & duck fat aioli and a green herb sauce
Course Nine
Westmalle Tripel
Mauleur Bière Brut

Tenth Course

Cod and Mussel Waterzooi
carrots, spring leeks, baby fennel, fingerling potatoes, Brugse Zot, fish stock and local cream
Course Ten
Dupont Foret

Eleventh Course

Scaldis Prestige Spiked Crème Brulee
and Fresh Raspberries
Course Eleven
De Struise T’sjeeses

Twelfth Course

It’s Wafer Thin…
Belgian madelines with orange peel and grains of paradise, Delirium Noel caramel dark chocolate truffle,
Cascade Apricot Ale crème scented with crystallized ginger and candied tangerine peel in dark chocolate shell, Valley Brewing Quad Caramel in milk chocolate truffle
Cantillon Lou Pepe Framboise 2006 injected first of the season strawberries dipped in dark chocolate
Course Twelve
De Struise Black Albert
Firestone Walker Saucerful of Secrets 2007

See more pictures on our Flickr page.

Homebrewing 2.0

Posted by Rick Sellers On April - 3 - 20091 COMMENT

With the advent of the iPhone has come a plethora of applications available for cheap, apps that run the gamut on functionality, entertainment or, what’s this, homebrewing? That’s right. Amid the thousands of applications available for iPhone users I’ve stumbled across a few brewing applications that demanded my attention.

(One note: If you’ve homebrewed for a while you likely know of the two most popular brewing applications for the computer: Beersmith and Pro Mash. I have both and am not convinced these current iPhone applications have the goods to do away with the bigger programs.)

I wanted share my findings on three iPhone apps for those interested in having brewing software with you wherever you are. I played with three over the past three weeks: BrewMath, Brew Pal, and Sparge Pal.

Now, BrewMath is technically not a brewing application as it doesn’t allow for recipe formulation. However, it is a very handy tool to have during the brew day with the easiest brix conversion calculator available. You can also quickly estimate IBUs based on hop additions as well as nail your strike temps. Actually, I really like BrewMath for its ease of use and ability to gather data quickly.

The brix conversion in BrewMath, however, doesn’t exactly match the results found in Pro Mash or other online calculators. It’s not off by much, but the results are different. Also, I’m not a big fan on the mash input screen; it’s not intuitive.

David Parker developed both the Brew Pal and Sparge Pal apps, and they should be paired together if you intend on making all-grain batches of brew. The biggest strength of Brew Pal is the easy navigation and input menus — it’s a snap to add your ingredients. I also love the integrated BJCP guidelines for those brewing to style.


Screenshot of Brew Pal

Strikes against Brew Pal are minimal, especially because you can pick it up for under a buck! First, you can’t add dry hopping or zero minute hop additions in the recipes. If you’re like me, that can be frustrating. Also, when inputting hop information you’re not allowed to use decimals. Minor issue. Occasionally it crashes for no reason, too. Luckily it saves the data you’ve entered before failing. Frustrating yes, but still not a deal breaker. Finally, the estimated IBU calculator is slightly off when compared to Pro Mash recipes, but only by a couple points. All things considering, it’s a helluva deal.

I don’t have anything negative to say about Sparge Pal. The input is as easy as you’d want it to be and it’s very easy to read. Oh, it’s free too!

If you’re inclined to geek out when brewing, you’ll definitely want to check these apps out. BrewMath is great for answering questions at the bar, and actually helpful for the random stop at the homebrew shop on your way home. (You do that too, right?). Brew Pal is best for brewdays away from the computer — like group brews. It’s also genius for taking with you to the shop when you need to be sure you get all the ingredients needed.

I’d also recommend getting the BJCP style guides for the iPhone. This free application is fantastic for spontaneous beer tastings with friends, or just to have when you want to know a good commercial example of a lesser-known beer style.

Do you use any of these? If so, I’d love to hear back from you to see what you think. Also, if you’re using a different application, let me know that too — I’m always game for playing with new brew toys.

iTunes Application Prices as of 4/3/09:
Brew Math: $4.99
Brew Pal: $0.99
Sparge Pal: FREE
BJCP Style Guidelines: FREE

Sierra Nevada Beer School - Volume One

Posted by Rick Sellers On March - 25 - 200915 COMMENTS

I’ve seen the original Sierra Nevada brewhouse, in operation, in the past year. Dilapidated is the right word for this pieced-together system that looks like a space ship from an 80s B-movie crossed with an oversized water heater. The blueish-white paint isn’t pretty and the whole get-up just seems like a bad idea. Of course, the contraption still makes damn good beer for the current owners, but its worth at Sierra Nevada faded long ago. (As a side note, it is my hope that this piece of history finds its way back to Sierra Nevada someday for the world to see.) With the mental image of this brewhouse still in my head it didn’t take much imagination to realize how far this family-owned brewery in Chico, California had come in the last 29 years when I saw its new digs. I nearly got lost in the beauty of the current brewhouse; its shiny copper reflecting perfectly the world around it.


Original Sierra Nevada Kettle


Current Kettle

I arrived at Sierra Nevada early on a Thursday morning. Just a couple weeks prior I was called by Steve Grossman, brother of Ken who founded Sierra Nevada three decades earlier, with an invitation to join in on something special: Beer Camp. This two-day event was designed by Steve and others to educate some of the brewery’s top accounts from around the world and included an all-access-pass to the brewery (a pass I tested more than once), an exhaustive lesson in sensory evaluation of beer in a lab setting, as well as the chance to formulate and brew a beer of our own. I would be joined from some heavy hitters from Richmond, Atlanta, and Reno. Better yet, I would be the sole member of the media (In fact, I was the first member of the media to get a peek inside Beer Camp).

Steve’s role at Sierra Nevada is Ambassador for the brewery and he was a fantastic host for the six of us, generous with his time and more than happy to answer any questions we had — no matter how obscure. Steve wasn’t alone, however, as we were hosted by employees in two of the Sierra Nevada labs, brewers at the Pilot Brewery, the Operations Manager for the whole facility, Steve Dressler (Brewmaster), and even the iconic founder Ken Grossman. We felt pretty special.


Ken Grossman and Pilot Brewmaster Scott

A light-hearted orientation came first. Steve recalled stories of starting the brewery — including fanciful recollections of the beer he and his brother stole as youths, the man who taught them to brew (so they’d leave his beer alone), and life back then. It was fun seeing pictures of the men from 30 years ago — a young Ken and Steve Grossman as well Steve Dressler and others who were still with the brewery. It was here that we began to realize there was something more to the brewery than just beer. This wasn’t just a corporation; this was a family! To drive that point home we were soon joined by Brian Grossman, Ken’s son. Sierra, Ken’s daughter, also works at the brewery.

Immediately after our orientation we headed out for a tour of the facility, a vast complex with all sorts of fun nooks and crannies. While walking through a long hallway Steve stopped the group and pointed to the tiles on the wall — turns out they were handmade with pictures of beer and brewery-related scenes. It doesn’t sound like much, and in the scheme of it all it isn’t much, but details like this is what separates Sierra Nevada’s brewery and beer from just about every brewery out there. If they care so much about the custom tiles — if these small tokens of art impress the employees — what do you think their brewhouse is like? We’ll get to that soon.

Our first stop was the big brewhouse, the mash tun to be more specific. Many breweries, big and small, have issues with clutter. Not here. At Sierra Nevada the space around the brewing equipment was pristine with nothing on the floor, dangling from the ceiling, or sticking out from the wall. The room contained a big grain mill and a mash tun, that’s it.

Getting back to details, the grain mill at Sierra Nevada needs to be discussed. They use a hydrating grain mill that gets the goods wet before they are ground, a process that sounds simple, but is costly and rare. In fact, it is believed there are only five such grist mills in the United States, and Sierra Nevada has three of them! Hydrating the grains makes them more pliable and reduces dust and waste, allowing for a greater conversion rate of starches to sugars during the mash process. It’s funny, but when you think of a brewery this size brewing five days a week, 24 hours a day, every bit of efficiency realized means something. For Ken Grossman and the SNBC team, it means they’re getting the most of everything they bring in house — a theme that we learned more about as the tour continued.

The next stop was just across the hallway into the kettle room. For me this may be the sight of the tour, simply because the copper kettles are among the most stunning I’ve seen. I neglected to ask about the copper-polishing schedule, but it has to be more than once a week give how bright the behemoths were. The pictures may look good, but they do little to convey their actual beauty. Of course, the beer they’re brewing has a beauty all its own. We were reminded that Sierra Nevada is the country’s largest brewery that uses whole flower hops exclusively in its brewing, and that this sometimes complicates stuff in the brewhouse. For instance, these kettles were brought over from Germany and were originally manufactured for palletized hops. Because the whole flower hop additions, hops were added by hand throughout the boil. In fact, each of those white trash cans is full of pungent, flowery hops. The other complication with whole flower hops is the liquid loss. Dried hops act as a sponge of sorts and tend to hold onto the liquid more so than palletized hops that disintegrate in the wort. Regardless of what kind of hops go into the kettle, the main point is these are absolutely gorgeous to look at.

I thought our next stop would be a cavernous room with bright, fanciful colors, little people, a river of beer, and candies made of wort, but as much as we felt like kids in a candy store, this was not Wonka’s Public House. Instead we were led to a fermentation room that looked similar to what I’d expect NASAs underbelly to look like. In fact, I did feel a bit alien in the room for no other reason than I’d never anything like it — anywhere. Large, steel cones poked through from the tall concrete ceiling and it took me a while to realize what was wrong with this picture. Noticing my bemused expression Steve was quick to point out that there are no legs on these fermentors; they were simply hovering from the ceiling! These aren’t little fermentors, by the way. We were literally walking beneath hundreds of thousands of pounds (maybe millions) of fermenting beer, and on the floor were no obstacles to avoid. Running up the middle of the logic-defying room was their “pipe-fence” that neatly transferred beers to and from the fermentors. I don’t think this has made any TV show about modern marvels, but holy crap! The engineering that took place to make this room work had to be absolutely incredible.

While in the fermentation room we were treated to something special, something we’d soon get used to. Steve had arranged for the lot of us to be the first non-brewery people to sample the 2009 Summerfest, straight from the fermentor (before filtering!). It was roughly 9:00 a.m, so together we hoisted our plastic cups, becoming giddy as the whole experience sunk in. I wasn’t taking tasting notes, so don’t quote me on this, but damn this was a good beer. A lot more hops than I remember, and still pretty damned clear for having not been filtered.

Did someone say filter? One of the purposes of Beer Camp is to educate, and Steve jumped on this opportunity to discuss Sierra Nevada’s filter policy — one that is young and still developing. For years the brewery filtered its beers using diatomaceous earth, but Steve pointed out that this product had a finite supply. Given the mentality that the brewery should be as sustainable as possible, alternative methods were sought for fining and filtering its beer. After much research the crew opted on the centrifuge method that essentially spins fast enough to separate proteins and solids from the beer, leaving it bright and clear. We never did quite get a handle on this method, even though Steve and the brewers did their best to teach us (they even drew us pictures!). In the end we were content knowing it spun the beer really fast, made very loud popping noises when it cleaned itself, and would most likely kill us if we dared open it up for a better look (sadly, I don’t have a photo of the diagram Scott drew up). The point here is that the brewery’s commitment to sustainable practices had led them in a new direction in the filtering process. Sierra Nevada isn’t the only brewery to use centrifuges, but I do know it’s not a very common practice.

The next phase of our tour didn’t officially happen. We muscled our guide out of the way and took a stroll on the catwalk that spanned the space between buildings. We did this not because we needed fresh air (although that was a welcome bonus), but to get a gander at the new solar array they’ve installed up close and personal. Sierra Nevada takes this whole green movement pretty seriously. They may not jump up and down or yell to the world about what they’re doing, but because of a personal commitment to the environment shared by the Grossman’s and the brewery employees, they make crazy financial investments for one reason: it’s the right thing to do. Sure, they’ll make their money back eventually, but currently Sierra Nevada owns the largest privately-owned solar array in the country. From the catwalk we could see them, thousands of them, black and glistening under the morning sun. In peak season (summer) Sierra Nevada can generate more electricity than it requires, allowing them to sell it back to the energy company. In winter months they’re still able to generate approximately 90 percent of the electrical requirements for all brewery operations. There are very few roofs in America worth mentioning, but this certainly deserves more than a few words.

I know I’ve already made the Wonka reference, but what we did next… well, is simply incomparable.

After making our way, safely, back inside from the catwalk we followed Steve to a contraption that seems developed on napkin notes after a few beers in the wee hours of the morning. They called it a “bike”, and while there were pedals on it (and tires) it had the appearance of a bar and the front end of a dune buggy. There were 12 seats, two taps and one steering wheel. Steve did his best to explain what the motivation was for this work of genius, but we were all too bedazzled by it to pay close attention. What we did know was we were expected to take our seats at the bar and pedal if we wanted this tour to continue. Lucky for us, we were rewarded up front for our labor with a fresh keg of Irish Red Ale (don’t worry, it’s not available outside the brewery).

We all sat facing the middle and one person was selected to bartend. Pedaling the big machine was shockingly easy, thanks to the work of 12 legs working in unison. As we pedaled we cruised around the campus, taking in site after site, taking deep gulps of beer, and trying not to smile too big. Yes, all of us on the bike that day were at work — and work just doesn’t get cooler than this.

Our first stop on the magic bike portion of the tour was in the cellaring warehouse. As you likely know, Sierra Nevada bottle conditions its beers. To properly do this the filled bottles of beer need to be aged at least 10 days to make sure the carbonation is spot on before they’re shipped out. Conditioning the beers requires a constant cool temperature, not cold as to allow the yeast to do its thing without stress. The room is huge, seriously. And from wall to wall were cases, loaded on pallets, stacked on more pallets, of Pale Ale and other SN beers. Seemed straightforward enough for us, so we continued on, pedaling to our last stop of the tour.

We had to park the bike outside the bottling line, and then were asked to don our safety glasses and earplugs. We were told before we entered that Sierra Nevada runs two identical bottling lines simultaneously, a somewhat common practice at larger breweries. The reason was pretty simple: if a part ever failed in one line they would not be without production while the part was fixed or replaced (a lesson learned some time ago when a $1 part broke and put bottling to a halt for a day). It was at this point that Steve said something that resonated with me. In a nutshell he admitted that a lot of the equipment and processes Sierra Nevada has are unnecessary, but work to make the best beer they can. Maybe they didn’t need a second bottling line, but it sure looks good.

The room was a series of moving parts with noises that come straight from a Steinbeck novel. They were bottling Pale Ale and the green labels whirled by from one end to the other of this cavernous building. The line pumps out hundreds of bottles per minute, the labeler moving so fast it’s impossible to read any part of the labels being affixed. Once filled and labeled the bottles race down the line till they come to a holding area that collects the bottles in, creating a sea of green and brown. From here bottles are put in six-packs or cases, then taken upstairs by a fantastical spiral escalator. The whole room was pretty awesome to be in, and the warehouse staff was impressive in their hospitality. While trying to get pictures of bottles the line operator even offered to slow the line down for me — a 180-degree response from what I’d expect in any warehouse.

There was so much more that happened along the way, off-stories from years and years of experience, rooms that held even more magic (like the open fermentor room, a first-hand look at the Torpedo — including samples of the beer from the source), but that will have to wait. Our day was only just beginning and we were pretty awestruck by everything we were witnessing. It was impressive for me to see processes and equipment in play that could easily be mistaken for an industrial brewery, but the people and their collective passion for “their” beer to be the best it can be really drove home the craft and enthusiasm we seen in breweries much smaller than this.

Up Next: Stories of Torpedoes, Labs, and more. Stay tuned.

10 Years of Beermann’s

Posted by Rick Sellers On March - 2 - 20091 COMMENT

I’m going to make an assumption here: you’ve never heard of Beermann’s Beerwerks in Roseville, California nor tried their beers. Further still, it seems even more unlikely that you’ve been to the production brewery and sampled some of their ‘brewery-only’ beers. Not to worry, this small brewery doesn’t do a lot to promote themselves beyond its immediate vicinity and the brewery tasting room is only open twice a week for a couple hours. That said, the brewers proved this past weekend that name recognition doesn’t necessarily matter when it comes to putting out high-quality brews any beer enthusiast would be happy to sip.

Case in point: Saturday Beermann’s opened its industrial-sized, roll-up doors for a tasting event I had to attend. The event didn’t have a name, but they poured 10 strong ales that were all brewed on the premises, seven of which were aged in barrels. The youngest beer was just a few months old and the two oldest beers were each brewed in 2002 — I’ll get to those in a second.

Before discussing the lineup, I must put out there the one thing that really struck me while sampling beers, talking with long-time customers and brewers, and generally getting a feel for the occasion. A local brewery is special. We read a lot of posts online about a handful of well-respected breweries — the places we all want to go, the places that put out beers we only hope to find in our region. However, becoming a regular at a local brewery offers something more than flavorful beer and a place to be after work; it offers a community experience rarely found in most watering holes. (Granted, there are a lot of great bars around the country that foster community). The beers poured here weren’t just meant to showcase the brewers’ abilities, they were a celebration of all the brewery stood for, as well as a “thank you” for those who have been supporting the brewery year after year. I know Beermann’s isn’t unique. I’ve been to small breweries in Colorado, Philadelphia, Washington, Oregon, Idaho, and beyond and found the same experiences. My hope is that you find a local that’s worth supporting, a place that becomes more than just another bar with good beer.

On to the beer.

My first beer of the day was an unfiltered double IPA that was brewed just a few months ago. To be honest, the beer could have used a bit more time for the hops to tame as the first sip was an assault on the palate. It was a grassy beer, quite green, with more than a punch of bitterness and a sticky residue that gripped the tongue well after the beer was swallowed. To be sure, this wasn’t a bad beer, not in any way, but I’m certain this brew will only improve over the next six weeks or so.

Up next was a “triple IPA” brewed in 2004. This was quite an experience. The hops must have been huge in this when it was first brewed because there was still a fair amount of hop flavors, bitterness, and even a bit of aromatics. In all, this beer aged wonderfully and seemed restrained, approachable, and clean. The body and texture was also a hit with this beer, creamy and full-bodied without being heavy or overly sweet.

The first barrel-aged beer was a 2006 Bourbon Barrel Barleywine. Honey sweet, viscous, with flavors of raisins, vanilla, and toasted nuts, this beer was complex and playful. The bourbon did seem slightly hushed — something I like in a bourbon barrel beer — and the finish was just a touch sweet.

The 2005 Bourbon Barrel Barleywine had more bourbon character to it: more vanilla, a touch of orange and coconut. It also seemed to have a bit more residual sugars, making the body a bit heavy and contributing to the sweet finish. Still, this was a fun beer to sip on.

The 2004 barleywine never touched wood and was called “Mr. Big.” I’ll just come out and say this was my favorite beer of the day — it was “man candy” if I can borrow a phrase from the guys at Craft Beer Radio. Brown sugar, toasted malts, a dry finish, and a full body that wasn’t cloyingly sweet. This beer proved the brewers at Beermann’s don’t need the boost of bourbon barrels to make an enticing barleywine. In fact, it made me long for more un-oaked vintages.

I was a little surprised with the 2002 Bourbon Barrel Barleywine. It was a few shades lighter in color than the newer versions and less bourbon character. (I appreciated both). This had a lot more caramel and toffee sweetness, a beautiful head, and an overall delicate nature to it; the complexity teetering on becoming unbalanced. When all the tasting was done I was sure I’d be coming back to this.

I skipped the 2003 beer on purpose, and I was happy I did. This year the brewers barreled their “Big Blonde” beer, a light gold beer with a whole lot of alcohol and more oak than any beer here. In fact, this beer was woody from the first sniff to well after the last swallow, masking the beery qualities of the brew (like malt, hops, alcohol). Don’t get me wrong, this was a very fun beer to sample, but I just couldn’t see myself ever sitting down to a full pour.

The last two beers were both brewed in 2002 and showed me things I’ve never seen before in beer. These both began as big barleywines, but one was aged for seven years on tart cherries while the other played long-time host to once-fresh raspberries. For starters, these beers had no barleywine-like qualities, and I don’t mean that as a negative. The raspberry version was full and rich with raspberries in the aroma, which shocked me. Its flavors were slightly tart, winey, and a bit musty — a fantastic explosion of flavor on the palate. As good as the raspberry beer was, the cherry absolutely stole the show. It had a pie-cherry aroma, complete with caramel malts that played up the pie likeness. Flavors were quite sour, very dry, and very easy to drink. Unlike fruited lambics, these beers weren’t necessarily refreshing, but to my surprise they weren’t sweet in any way. At the end of the day, I still preferred Mr. Big to these beers, but there was no mistaking they too kicked all kinds of ass.

Along those lines, the whole day kicked ass. The crowd was full of people who worked at Beermann’s over the years, current and former brewers, bottling line volunteers and people who could be considered stakeholders in the business. Apparently this event was years in the making, an idea spawned by the brewmaster and workers several years ago, but only realized now. I felt honored to be in attendance, it was almost like drinking at a friend of a friend’s house, a place that allowed for a lot of observation sprinkled with casual conversation and little expectation. It was relaxed. It was fun. It was like so many great, small breweries around the world.

View more pictures of the event at our Flickr page.

Beer at the Beard’s Table

Posted by Rick Sellers On January - 12 - 20092 COMMENTS

It seems appropriate that those of us who love beer would also have a similar passion for food. If that is the case, you’re probably familiar with the name James Beard, a man whose influence on the better-food scene can’t be overstated. As trends come and go, their lifecycles exaggerated by TV shows, the James Beard Foundation has been a solid advocate for quality food. Top cooks in the country — even those without TV shows — toil annually to be honored by the organization that since 1990 has presented prestigious culinary awards to the all-stars of the industry. There’s no two ways around it: to be associated with the James Beard name is a great honor.

Imagine then, the excitement at Steamworks Brewing Company upon learning that it had been invited to showcase its beer at a James Beard dinner in March, pairing brews with some of the most delectable dishes imaginable. According to the brewery, the meal will be prepared by Adam Dulye, chef instructor at the Culinary School of the Rockies, working with co-founder of Steamworks, Kris Oyler. The menu will feature ingredients raised and harvested in Colorado, all of which will be shipped to New York in time for the event. In fact, it was Dulye’s desire to feature Colorado products that led him to Steamworks.

The dinner takes place on March 6 at The James Beard House, in New York. Now, for the good stuff, check out this menu.

Flavors of Colorado Menu


Hors d’oeuvres


Quail Scotch Eggs
Pheasant Sausage, Quinoa crisp, Caper Gremolata served with Steamworks Backside Stout
Foxfire Farms Sweetbreads
Chestnut Puree, Caramelized Western Slope Apples served with Steamworks Spruce Goose Ale
Applewood Smoked Baby Brook Trout
Avocado Panna Cotta, Jicama, Cure Farms Radish, Blood Orange Drops served with Steamworks Third Eye Pale Ale
Dinner

Petit Salad of Long Family Farms Ham
Cure Farms Treviso, Chives, Lemon, Polenta Chips, Olive Oil served with Steamworks Colorado Kölsch
Rosen Family Farms Lamb T-Bone
Salsify Risotto, Cure Farms Watercress, Anchoyade served with Steamworks Steam Engine Lager

Holiday Beer Guide, Part II

Posted by Rick Sellers On December - 19 - 2008ADD COMMENTS

The holiday season is here and in full-swing. It’s likely that you’re planning a trip to see the family and stressing about last-minute shopping that needs to happen before the big meal and gift exchanges. With that in mind I wanted to take a moment to share some MORE holiday beer ideas worth exploring.

Aperitif

Before dessert you may require an aperitif to clean the palate, as well as lighten it a bit. Believe it or not, this is a great time for a sour ale like a lambic or gueze. If going with a lambic, however, be sure it’s a hard, sour version and not an overly sweet and heavy option (which we’ll get to momentarily). Find a bottle from Cantillon or Cuvee Rene and pour into a champagne flute. If you’d like to add fresh fruit, like raspberries or blueberries, go on ahead — it isn’t a bad idea. If you’re unfamiliar with these beers they may shock you at first, but if you can appreciate the spontaneously fermented beverage, you’ll find the highly effervescent drink will reset your palate completely and prepare you for the sweet stuff.

Dessert

It’s impossible to pair every possible dessert option that will be served around the country, so let’s just hit the big and obvious dishes.

If you have a dark, rich chocolate concoction in front of you, this is a good place to pull out that Lindemann’s Frambroise you didn’t know what to do with. The sweet raspberry flavors will hit the chocolate and create a truly delightful experience. I’d also suggest the Wisconsin Belgian Red by New Glarus if you’re lucky enough to have one, or maybe even the Chocolate Cherry by O’Fallon.

Custards frequently pop up around the holidays and nobody really knows what to do with them, beer-wise. Ah, but here’s a tip: they’re so freaking good with a well-aged barleywine IF you happen to have one squirreled away. A growing number of people are sitting on beers like Sierra Nevada’s Bigfoot or Stone’s Old Guardian, and if you happen to have a big American barleywine that’s been aged for four years, it may just be the perfect time to bring one out. The slightly oxidized, toffee-sweet, and complex alcohol notes will play wonderfully with custard — especially flan.

If you know you’ll be subjected to the goodness that is a cherry or berry pie, you may want to bring along a smooth, big imperial stout — like an Oak Aged Yeti by Great Divide or Stone’s Imperial Russian Stout. Here you’ll find the coffee/chocolate malts complementing the fruits while also lifting the syrup from your tongue. Avoid the versions with an overt, hot alcohol presence as they can override the berries.

New Year’s Toast

Champagne has somehow managed to make itself the obligatory drink for the magical New Year’s moment, when the ball drops and the music plays. Don’t get me wrong, I love a good Champagne, but do you ever wonder why it’s a staple for this holiday? If you’re like me you might try something extra classy to ring in 2009, something that will make your friends and family cheer or just stare in wonder. In years past I’ve gone with bottles of the aforementioned New Glarus Wisconsin Belgian Red, served in a flute. That will never disappoint. I’ve also found that sometimes it’s worth breaking the bank, just a little, for such occasions and have splurged to buy bottles of DeuS, Malheur Brut, or Scaldis Prestige (Busch Prestige if out of the US). These beer are all presented in Champagne-style bottles (750ml) with cork and cage wrapped in foil. They each have been aged in the Champagne method (methode champenoise) and all have a light color, highly effervescent bubbles, and a taste that many don’t associate with beer. The bottles will set you back at least $30, but hey — it’s a great way to ring in the New Year.

Sipping

There are a lot of opportunities to sip this time of year and for this I suggest you find a big, barrel-aged beer from a local craft brewery. I have a local joint that just tapped a wheat wine aged for eight months in Pappy Van Winkle barrels (23-year-old Bourbon). Oh, a snifter of this poured from a growler goes a long way. With most of us living close to a craft brewery, it seems like a great time to stop in and see what’s new. If they sell growlers, fill one up and open it when you have a houseful of friends.

Safety

One parting note for you all. As much as I love beer, and as much as I know you love beer, please do your part to keep the roads safe this year. Clearly it’s colder and icier than it has been in many places, so just remember that alcohol really does impair reactions and judgment. I’m not saying don’t drive drunk, I think we all understand that, but perhaps it’s a good time to avoid driving buzzed, too. Cities all over the country have programs to get you home if you don’t have someone to drive you, and they’re great programs — I’ve used them several times.

In all I know I speak for everyone at DRAFT when I say thank you for your support, feedback, and good times. This has been an outrageously good year for us and we look forward to hearing from you more in 2009. Have a great holiday season, whatever your traditions may be, and take more than a few moments to connect with those around you while enjoying some of the best beer the world has to offer.

Cheers!

Wake and Beer

Posted by Rick Sellers On July - 29 - 2008ADD COMMENTS

We’re still reeling from this weekend’s Oregon Brewers Festival in Portland, so before filing our stack of tasting notes, we had to mention our Saturday morning breakfast festivities.

Saturday morning saw a lot of revelers moving slow, seeking out fresh coffee and greasy grub. So, hardcore beer enthusiasts (and pirates…more on that later) stumbled into Kells Irish Restaurant & Pub, Portland’s iconic Irish bar. The crowd arrived at 9:30 for a beer fest breakfast of eggs, bacon, biscuits and gravy, sausage and, in Portland fashion, Ninkasi’s Tricerahops double IPA.

Jamie Floyd, Ninkasi’s brewmaster and cofounder, was met fans and fielded questions from everyone in the room. His business philosophy is shaped by his personal passions. Jamie is driven to support local businesses and hopes that Ninkasi (named after the Sumerian goddess of the same name) sticks to its regional roots. He doesn’t have plans to distribute further around the country, opting to keep the people in the brewery’s region stocked with well-made beer. The brewery also uses local businesses for its day-to-day needs, like printing and supplies. Additionally, the brewery makes a beer called Schwag. This brew is an American all-malt lager Floyd hopes will be served as an alternative to mass-produced beers made far away. To help see this become reality, the brewer’s recipe has a very low price point for local bars and restaurants, even comparable to the biggest beer makers in the world. Evidently, this low price has convinced several customers to make the switch from the national brands to something local.

Ninkasi’s breakfast was just part of the weekend activities that surround the Oregon Brewers Festival and included a spattering of beer writers, brewers, brewery owners, reps and distributors – all there enjoying a casual pint with hearty food necessary for the day ahead. It wasn’t all business though, as a pirate band reminded those in attendance. The band played drinking songs, rousing the cobwebs out of heads around the room – working well with Ninkasi’s beloved double IPA and oatmeal stout.

For more information on Ninkasi’s brewing philosophy and beers, visit www.ninkasibrewing.com.

Good hair day

Posted by Rick Sellers On July - 28 - 20081 COMMENT

Not a lot of brewers in the United States have done more with less than Alan Sprints of Hair of the Dog, and at this weekend’s open house at the Portland brewery, beer enthusiasts from around the country saw that first hand. It starts with the hot liquor tanks that were once meager hot water heaters and also includes the brew kettle, an old soup pot from a naval ship. Sprints has proven high-quality brewing is not about the equipment, but about the passion and focus on details. How good and celebrated are Sprints’ beers? It was his brews (12-ounce bottles of “Dave”) that fetched a mind-boggling price of more than $700 dollars per bottle for a charity auction earlier this year.

The open house featured pulled-pork sandwiches, cheese and fruit to complement the brewery’s famed beers, including Fred of the Wood and Blue Dot double IPA. There was also an ongoing game of Washoes enjoyed by brewers and beer industry members, played on homemade boards crafted for Portland’s Hopworks Urban Brewery. When not watching the games or imbibing the brews, attendees clamored for time with one of Portland’s most beloved figures, famed beer writer Fred Eckhardt. Many visitors bought bottles of the beer for Fred to autograph.

An open house event at Hair of the Dog is a rare treat, the brewery’s doors opening only twice a year for the public to enjoy. When there, fans can take a self-guided tour, admire the oak barrels used for maturing beers, the archaic bottle labeling machine, and the pieced-together brewhouse. www.hairofthedog.com.